B With U (Juniors Main Mix)
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\"Say You'll Be There\" is a song recorded by the English girl group Spice Girls for their debut studio album Spice (1996). The Spice Girls co-wrote the song with Eliot Kennedy after the group left Heart Management in 1995. Later, Jonathan Buck received a songwriting credit as well. A mix of dance-pop and R&B influences were incorporated into the song by the production duo Absolute. It also includes a harmonica solo played by Judd Lander. Originally intended by the group's record label Virgin Records to be their debut single, it was released as the second single from Spice on 26 September 1996.
Due to the large interest in the group, the Herberts quickly set about creating a binding contract for them.[8] Encouraged by the reaction they had received at the showcase, all five members delayed signing contracts on the legal advice from, amongst others, Victoria Beckham's father, Anthony Adams.[7][9] In late March 1995,[10] because of the group's frustration at their management's unwillingness to listen to their visions and ideas, they parted from Heart Management. In order to ensure they kept control of their own work, the group retrieved the master recordings of their discography from the management offices.[7][11] The next week they were supposed to meet with Sheffield-based songwriter and record producer Eliot Kennedy. Chris Herbert arranged the session weeks before the group's departure.[10]
Without access to Herbert's address book, the only information the group had about Kennedy was that he lived in Sheffield. Brown and Halliwell drove there the day after their departure from Heart Management, then looked for a phone book in a service station, and called recording studios in the area,[12] Eliot was the third Kennedy they called.[13] That evening they went to his house and persuaded him to work with them, the rest of the group travelled to Sheffield the next day.[10] Kennedy commented about the session:
Virgin Records planned a major campaign for the group's debut to promote them as their new high-profile act.[19] Ashley Newton, the label's head of A&R and other executives preferred \"Say You'll Be There\" to be released as the first single, as they considered it a \"much cooler\" track than the group's choice, \"Wannabe\".[21][45] Fuller agreed with the label, but the group was adamant with their decision and refused. After a period of indecision about the release, Fuller and the executives at Virgin relented, and \"Wannabe\" was chosen as their first single.[46] Brown mentions in her autobiography that the group was also indecisive about the choice for the second single; as \"Love Thing\" was considered at one point to be released instead.[47]
The single was commercially released in the UK on 14 October 1996 in three single versions.[50] The first one, a CD maxi single included the single mix of the track, a remix by record producer Junior Vasquez, an instrumental take, and the B-side \"Take Me Home\", written by the group with Absolute. The second version, released in a digipak, came with a signed poster and included the single mix, and three club remixes of the track produced by Vasquez, D Mob, and Linslee Campbell. The third version was a cassette single, featuring the single mix, the B-side \"Take Me Home\", and the Junior's Main Pass remix.[49]
Following the physical release of the single, the group did a promotional tour across Europe for both, the song and their debut album Spice, set to be released at the beginning of November.[51] During the last week of the month, they recorded two additional performances for Top of the Pops on 23 and 30 October,[52] and visited France, Italy, Norway, and Sweden, where they did a series of interviews and appearances on television shows.[51][53] The first week of November, the group did a televised performance in Germany, and a photo shoot for teen magazine Bravo.[52][54] For the US release of the single, which occurred on 6 May 1997,[55][56] the group did a week of promotion in North America. They made televised appearances on the Late Show with David Letterman, The Rosie O'Donnell Show and Live with Regis and Kathie Lee,[57] and then traveled to Acapulco, Mexico, to perform on the television show Siempre en Domingo.[58]
The song received mixed reviews from music critics; many of whom praised \"Say You'll Be There\" for its catchiness, while others were critical of its production. Alan Jones from Music Week wrote, \"After a tinkly cocktail bar piano intro, it moves through a Zapp-like phase right into Eternal territory. It's somewhat more sophisticated than Wannabe and is likely to further their career, though some who liked the quirkiness of the first hit may pass.\"[59] Dele Fadele of NME dubbed it as a \"monstrously catchy tune\", and lauded it as \"state-of-the-art pop music for '96\".[60] Time magazine's Christopher John Farley was mixed on the track, although he called the song's groove \"penetrating\", he believed that it resembled too close to the work of Earth, Wind and Fire.[61] Richmond Times-Dispatch critic Melissa Ruggieri, considered the song \"a harmless, mid-tempo foot-tapper\" that was made for Top 40 radio.[62] Edna Gundersen of the USA Today dismissed the group's debut as \"assembly-line dance-pop\", but singled out \"Say You'll Be There\" as one of the album's highlights.[63] The Atlanta Journal-Constitution writer Steve Dollar criticized the song, describing it as \"pure confection more sugar really than spice\", he also noted influences of Stevie Wonder in the harmonica solo.[38] Greg Kot of the Chicago Tribune was unimpressed with their debut album, he considered the song's \"G-funk synth\" as simply part of \"a compendium of slick secondhand urban pop\".[37] When comparing the song to \"Wannabe\", Billboard's critic Larry Flick thought it was as \"immediately infectious\" but \"not nearly as silly and novelty-driven\".[31] Barry Walters of The Village Voice also compared the two songs. He found \"Say You'll Be There\" to be \"even catchier\" than \"Wannabe\".[64] Reviewing the single, David Browne of Entertainment Weekly rated it a B+, describing the melody as \"delectably frothy\", but was at the same time confused by the song's lyrical content.[65] Ken Tucker from the same publication, was more negative calling its P-Funk production \"a bid for street cred\".[66]
Retrospective reviews from critics have been generally positive. Reviewing their debut album Spice, Stephen Thomas Erlewine from AllMusic was surprised at how the song's \"sultry soul\" was \"more than just a guilty pleasure\",[67] while Brian Grosz from Albumism called it a \"a great disco track\".[68] In a review of the group's 2007 compilation album Greatest Hits, the NME said that it is a \"fine song in any age\".[69] Alexis Petridis of The Guardian felt it was more polished than \"Wannabe\" and described the melody as \"instantly memorable\".[39] The Evening Standard reviewer Jessie Thompson deemed the song as one of the group's best, praising the song's lyrical content and the harmonica solo.[70] Writing for Billboard, Jason Lipshutz complimented the song's production, calling the hook \"enormously catchy\" and the instrumental arrangement \"smart-but-simple\".[71] Anne T. Donahue of Vulture.com depicted it as \"the perfect middle-ground\" between the group's slower ballads and their upbeat singles, she added that \"over 20 years later, we still remember the words to 'Say You'll Be There'\".[72] On a 2018 ranking of the group's songs, the NME writer El Hunt placed it at the top of the group's whole catalog, and characterized it as the \"essence of everything that girl power stood for\".[73] Q magazine ranked \"Say You'll Be There\" at number 93 in their 2003 list of the \"1001 Best Songs Ever\".[74] Time Out placed the song at number 39 on their 2015 list of \"The 50 best '90s songs\". Laura Richards felt that the song epitomized the group's musical style of blending pop with R&B, considering it \"pure genius\".[75] On Billboard's 2017 list of the \"100 Greatest Girl Group Songs of All Time\", it ranked at number 25.[36]
\"Say You'll Be There\" was commercially successful in the rest of Europe. On 16 November 1996 it reached the top of the Eurochart Hot 100, remaining there for two weeks.[85] It topped the singles chart in Finland,[86] peaked inside the top ten in Austria, Belgium (both the Flemish and Walloon charts), Denmark, France, Ireland,[85] the Netherlands,[87] Norway, Spain,[88] Sweden, and Switzerland,[89] and the top 20 in Germany and Iceland.[90][91] The song was also a radio hit across the continent, reaching the top position of the European Hit Radio Top 40 for six weeks,[92] topping the airplay charts in the Benelux region, France, and Scandinavia, peaking inside the top five in the German-speaking countries, Hungary, and the UK, and inside the top 20 in Italy, Poland, and Spain.[93][94][95] The song debuted on the Official New Zealand Music Chart at number two on 10 November 1996 (the same week \"Wannabe\" reached the top spot),[96] stayed 10 weeks inside the top 10, and spent 23 weeks on the chart in total.[97] In Australia, the single debuted in January 1997 on the ARIA Singles Chart at number 23,[98] peaking 13 weeks later at number 12. It remained on the chart for five months,[99] and was certified gold by the Australian Recording Industry Association (ARIA) for selling 35,000 units in 1997.[100]
In March 1997, \"Say You'll Be There\" debuted on the Canadian RPM singles chart at number 90,[101] reaching a peak of number five in its 12th week.[102] It ended at the 35th position on the year-end chart.[103] In the United States, the song started to receive airplay from 15 radio stations in March 1997, when \"Wannabe\" was topping the Billboard Hot 100.[104] It debuted on the Hot 100 Airplay chart at number 65 on 5 April 1997, a month before it was commercially released.[105][56] The song set a record on the Billboard Hot 100, when it debuted on 24 May 1997 at number five,[106] with sales of nearly 60,000 copies.[107] At the time, this was the highest entry by a British act on the Hot 100.[108] \"Say You'll Be There\" peaked at number six on the Hot 100 Airplay and at number four on the Hot Singles Sales,[109][110] peaking at number three on the Hot 100 for three consecutive weeks.[111] It ended at the 28th position on the year-end chart,[112] selling 900,000 copies by December 1997,[113] and was certified gold by the Recording Industry Association of America (RIAA).[114] The song peaked at number two on the Mainstream Top 40, and had crossover success, reaching number three on the Rhythmic Top 40, number nine on the Hot Dance Music/Maxi-Singles Sales chart, and number 12 on the Latin Pop Airplay chart.[115] 59ce067264
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